📚 Help Us Bring Stories to Everyone

Original price was: $11.00.Current price is: $0.00.

Verity

Dive into the dark, addictive world of Verity by Colleen Hoover — a chilling psychological thriller packed with obsession, secrets, and shocking twists that will keep you turning pages late into the night. Enjoy an Instant Digital Download in Premium Quality EPUB/PDF, professionally formatted and Exclusive to Noveliohub.

Share :

DOWNLOAD

Description

Welcome to Noveliohub, your trusted destination for premium digital books and immersive reading experiences. Verity by Colleen Hoover is now available as a Premium Quality EPUB/PDF Instant Digital Download, giving readers immediate access to one of the most talked-about psychological thrillers of recent years.

At Noveliohub, we provide professionally formatted digital editions optimized for Kindle devices, smartphones, tablets, laptops, and eReaders. Whether you enjoy binge-reading thrillers during late nights, while traveling, or during weekend reading marathons, your premium eBook experience remains seamless across all major devices.

If you’re searching for Verity PDF Download or looking for a dark psychological thriller filled with secrets, manipulation, obsession, romance, suspense, and jaw-dropping twists, this unforgettable novel deserves a permanent place in your digital library.

Prepare yourself for a deeply unsettling reading experience that blurs the lines between truth and deception in ways you’ll never forget.


The Hook – Some Secrets Should Never Be Read

What happens when you discover a manuscript never meant for anyone else to see?

In Verity, Colleen Hoover steps into psychological thriller territory with a gripping, emotionally intense novel that immediately pulls readers into a world of hidden truths, dangerous attraction, and disturbing revelations.

Struggling writer Lowen Ashleigh receives the opportunity of a lifetime when she is asked to complete a successful book series for bestselling author Verity Crawford, who has been left unable to finish her work after a devastating accident.

To gather notes and research materials, Lowen temporarily moves into the Crawford family home — a place filled with tension, grief, unanswered questions, and emotional unease. While searching through Verity’s office, Lowen uncovers an unfinished autobiographical manuscript containing horrifying confessions and deeply disturbing secrets.

As Lowen reads further, she becomes increasingly consumed by the revelations hidden within the pages. At the same time, her growing connection with Verity’s husband creates emotional conflict, attraction, and suspicion that intensify the already dangerous atmosphere inside the house.

The brilliance of Verity lies in its constant psychological tension. Readers are forced to question what is true, who can be trusted, and whether the manuscript itself reveals reality — or something far more manipulative.

Colleen Hoover masterfully combines suspense, emotional intensity, dark romance, and psychological uncertainty to create a reading experience that becomes nearly impossible to put down.

If you’re looking for Verity by Colleen Hoover, this premium digital edition from Noveliohub offers instant access to one of the most addictive psychological thrillers in modern fiction.


Why Readers Love Colleen Hoover

Colleen Hoover has become one of the most widely recognized contemporary authors thanks to her emotionally charged storytelling, unforgettable characters, and ability to create deeply immersive reading experiences.

Although Hoover initially gained fame through romance and contemporary fiction, Verity introduced readers to her darker psychological thriller style — and quickly became a global sensation.

Readers consistently praise Hoover for her ability to blend emotional vulnerability with intense suspense. Her characters often feel emotionally raw and deeply human, making readers strongly invested in their experiences.

One reason Verity became so popular is Hoover’s skill at maintaining constant tension while delivering emotionally complicated relationships and shocking twists. Her writing style is accessible, addictive, and highly cinematic, allowing readers to move through the story at a rapid pace while remaining emotionally immersed.

Fans of authors like Freida McFadden, Gillian Flynn, and B.A. Paris often become captivated by Hoover’s dark psychological storytelling.

Readers searching for Verity PDF Download frequently praise the novel’s unpredictable plot, emotional intensity, and unforgettable ending.


Deep Dive – Themes, Writing Style, and Why Verity Became a Thriller Phenomenon

Truth vs. Manipulation

One of the most compelling aspects of Verity is its exploration of truth, perception, and manipulation. Throughout the novel, readers are constantly forced to question what is real and whether the information presented can actually be trusted.

The manuscript discovered by Lowen becomes a central psychological weapon within the story, creating uncertainty that intensifies with every chapter.

This constant ambiguity keeps readers emotionally invested and deeply unsettled.

Psychological Tension and Unease

The atmosphere in Verity is filled with tension from the very beginning. The Crawford home itself feels emotionally claustrophobic, creating an environment where danger and uncertainty seem to linger in every room.

Hoover uses pacing, silence, emotional discomfort, and shifting perspectives to create a sustained feeling of dread and suspense.

Rather than relying solely on action, the novel builds psychological pressure through secrets, emotional conflict, and suspicion.

Obsession and Desire

The novel also explores the darker sides of attraction, obsession, and emotional dependency. Relationships within the story become increasingly complicated as trust erodes and emotional boundaries blur.

This emotional complexity adds depth beyond the thriller elements and helps explain why the novel appeals to both thriller and dark romance readers.

Unreliable Narratives and Reader Suspicion

One of the reasons readers become so addicted to Verity is the uncertainty surrounding the characters and their motivations.

Hoover masterfully creates an atmosphere where readers continuously question every revelation and emotional interaction.

The story constantly challenges assumptions, making the reading experience intensely engaging and discussion-worthy.

Fast-Paced, Addictive Writing Style

Colleen Hoover’s prose is highly accessible and emotionally immersive. Chapters flow quickly, tension escalates steadily, and cliffhangers encourage nonstop reading.

Many readers finish Verity in a single sitting because of the novel’s relentless pacing and suspenseful structure.

Themes Explored in the Novel

  • Psychological manipulation
  • Obsession and desire
  • Marriage and hidden secrets
  • Truth vs. deception
  • Emotional trauma
  • Power and control
  • Suspicion and paranoia
  • Dangerous attraction

Perfect for Readers Who Enjoy

  • Psychological thrillers
  • Dark romance thrillers
  • Domestic suspense
  • Twisty mystery novels
  • Emotionally intense fiction
  • Unreliable narrator stories
  • Fast-paced suspense books

Readers searching for Verity PDF Download often describe the novel as addictive, shocking, emotionally intense, and impossible to forget.


The Noveliohub Premium Experience

At Noveliohub, we deliver more than digital books — we provide a premium reading experience designed for convenience, accessibility, and quality.

Instant Digital Download

Your eBook becomes available immediately after purchase with no shipping delays or waiting periods.

Premium Quality EPUB/PDF

Every digital edition is professionally formatted to ensure smooth readability and optimized compatibility across all major reading devices.

Read Anywhere, Anytime

Enjoy your purchase on:

  • Kindle devices
  • Smartphones
  • Tablets
  • Android and iOS devices
  • PCs and Macs
  • Laptops
  • eReaders

Lifetime Access

Your purchased files remain accessible through your Noveliohub account whenever you need them.

No Subscription Required

Unlike subscription platforms, Noveliohub offers permanent digital ownership after purchase with no recurring monthly fees.

Secure Shopping Experience

We prioritize customer privacy and secure transactions for a reliable and stress-free shopping experience.

Readers searching for Verity PDF Download trust Noveliohub for instant delivery, premium formatting, and dependable access.


Similar Recommendations & Reader Appeal

Verity is a standalone psychological thriller that has become especially popular among readers who enjoy emotionally intense suspense novels with shocking twists.

If You Love These Books, You’ll Love Verity

Readers who enjoy the following books and authors will likely become obsessed with Verity:

  • Gone Girl
  • The Housemaid
  • Behind Closed Doors
  • Domestic psychological thrillers
  • Dark romance suspense novels
  • Unreliable narrator fiction
  • Twisty emotional thrillers

Fans of suspense novels with morally complex characters, emotional intensity, and unforgettable endings will find Verity especially compelling.


Conclusion – Enter the Dark World of Verity

Verity by Colleen Hoover is a gripping psychological thriller that combines suspense, obsession, romance, and shocking revelations into one unforgettable reading experience.

Colleen Hoover masterfully creates a dark and emotionally intense atmosphere where every page raises new questions and every revelation deepens the mystery.

Reviews

There are no reviews yet.

Be the first to review “Verity”

Your email address will not be published. Required fields are marked *

Related Products

Dungeon Crawler Carl: Dungeon Crawler Carl Book 1

Original price was: $4.99.Current price is: $0.00.

To Love Somebody: Gripping and emotional historical fiction

Original price was: $4.99.Current price is: $0.00.

Meant for Me: Gripping and emotional historical fiction inspired

Original price was: $4.99.Current price is: $0.00.

The Housemaid: An absolutely addictive psychological thriller

Original price was: $6.99.Current price is: $0.00.

The Let Them Theory: A Life-Changing Tool

Original price was: $17.99.Current price is: $0.00.

The Housemaid Is Watching: An absolutely gripping psychological thriller packed with twists

Original price was: $7.99.Current price is: $0.00.

The Women: A Novel

Original price was: $14.99.Current price is: $0.00.

Source Code: My Beginnings

Original price was: $12.99.Current price is: $0.00.

My Husband’s Wife_ A Novel – Alice Feeney

Original price was: $14.29.Current price is: $0.00.

James (Pulitzer Prize Winner): A Novel

Original price was: $14.99.Current price is: $0.00.

Limited Time Offer

Get up to 50% OFF on Premium PDF Books Read more.

Testimonials

What Our Readers Say

Thousands of readers trust Novel IO Hub for quality ebooks and meaningful impact.
Here’s what our community says about their experience with our platform.

I hear the crack of his skull before the spattering of blood reaches
me.

I gasp and take a quick step back onto the sidewalk. One of my
heels doesn’t clear the curb, so I grip the pole of a No Parking sign
to steady myself.
The man was in front of me a matter of seconds ago. We were
standing in a crowd of people waiting for the crosswalk light to
illuminate when he stepped into the street prematurely, resulting in
a run-in with a truck. I lunged forward in an attempt to stop him—
grasping at nothing as he went down. I closed my eyes before his
head went under the tire, but I heard it pop like the cork of a
champagne bottle.
He was in the wrong, looking casually down at his phone,
probably a side effect of crossing the same street without incident
many times before. Death by routine.
People gasp, but no one screams. The passenger of the
offending vehicle jumps out of the truck and is immediately on his
knees near the man’s body. I back away from the scene as several
people rush forward to help. I don’t have to look at the man under
the tire to know he didn’t survive that. I only have to look down at
my once-white shirt—at the blood now splattered across it—to know
that a hearse would serve him better than an ambulance.
I spin around to move away from the accident—to find a place to
take a breath—but the crosswalk sign now says walk and the thick
crowd takes heed, making it impossible for me to swim upstream in
this Manhattan river. Some don’t even look up from their cell phones
as they pass right by the accident. I stop trying to move, and wait
for the crowd to thin. I glance back toward the accident, careful not
to look directly at the man. The driver of the truck is now at the rear
of the vehicle, wide-eyed, on a cell phone. Three, maybe four,
people are assisting them. A few are led by their morbid curiosities,
filming the gruesome scene with their phones.
If I were still living in Virginia, this would play out in a completely
different manner. Everyone around would stop. Panic would ensue,
people would be screaming, a news crew would be on scene in a
matter of minutes. But here in Manhattan, a pedestrian struck by a
vehicle happens so often, it’s not much more than an inconvenience.
A delay in traffic for some, a ruined wardrobe for others. This
probably happens so often, it won’t even end up in print.
As much as the indifference in some of the people here disturbs
me, it’s exactly why I moved to this city ten years ago. People like
me belong in overpopulated cities. The state of my life is irrelevant
in a place this size. There are far more people here with stories
much more pitiful than mine.
Here, I’m invisible. Unimportant. Manhattan is too crowded to
give a shit about me, and I love her for it.
“Are you hurt?”
I look up at a man as he touches my arm and scans my shirt.
Deep concern is embedded in his expression as he looks me up and
down, assessing me for injuries. I can tell by his reaction that he
isn’t one of the more hardened New Yorkers. He might live here
now, but wherever he’s from, it’s a place that didn’t completely beat
the empathy out of him.
“Are you hurt?” the stranger repeats, looking me in the eye this
time.
“No. It’s not my blood. I was standing near him when…” I stop
speaking. I just saw a man die. I was so close to him, his blood is on
me.
I
moved to this city to be invisible, but I am certainly not
impenetrable. It’s something I’ve been working on—attempting to
become as hardened as the concrete beneath my feet. It hasn’t
been working out so well. I can feel everything I just witnessed
settling in my stomach.
I cover my mouth with my hand, but pull it away quickly when I
feel something sticky on my lips. More blood. I look down at my
shirt. So much blood, none of it mine. I pinch at my shirt and pull it
away from my chest, but it sticks to my skin in spots where the
blood splatters are beginning to dry.
I think I need water. I’m starting to feel light-headed, and I want
to rub my forehead, pinch my nose, but I’m scared to touch myself. I
look up at the man still gripping my arm.
“Is it on my face?” I ask him.
He presses his lips together and then darts his eyes away,
scanning the street around us. He gestures toward a coffee shop a
few doors down.
“They’ll have a bathroom,” he says, pressing his hand against the
small of my back as he leads me in that direction.
I
look across the street at the Pantem Press building I was
headed to before the accident. I was so close. Fifteen—maybe
twenty—feet away from a meeting I desperately need to be in.
I
wonder how close the man who just died was to his
destination.
The stranger holds the door open for me when we reach the
coffee shop. A woman carrying a coffee in each hand attempts to
squeeze past me through the doorway until she sees my shirt. She
scurries backward to get away from me, allowing us both to enter
the building. I move toward the women’s restroom, but the door is
locked. The man pushes open the door to the men’s restroom and
motions for me to follow him.
He doesn’t lock the door behind us as he walks to the sink and
turns on the water. I look in the mirror, relieved to see it isn’t as bad
as I’d feared. There are a few spatters of blood on my cheeks that
are beginning to darken and dry, and a spray above my eyebrows.
But luckily, the shirt took the brunt of it.
The man hands me wet paper towels, and I wipe at my face
while he wets another handful. I can smell the blood now. The
tanginess in the air sends my mind whirling back to when I was ten.
The smell of blood was strong enough to remember it all these years
later.
I attempt to hold my breath at the onset of more nausea. I don’t
want to puke. But I want this shirt off me. Now.
I unbutton it with trembling fingers, then pull it off and place it
under the faucet. I let the water do its job while I take the other wet
paper towels from the stranger and begin wiping the blood off my
chest.
He heads for the door, but instead of giving me privacy while I
stand here in my least attractive bra, he locks us inside the
bathroom so no one will walk in on me while I’m shirtless. It’s
disturbingly chivalrous and leaves me feeling uneasy. I’m tense as I
watch him through the reflection in the mirror.
Someone knocks.
“Be right out,” he says.
I relax a little, comforted by the thought that someone outside
this door would hear me scream if I needed to.
I focus on the blood until I’m certain I’ve washed it all off my
neck and chest. I inspect my hair next, turning left to right in the
mirror, but find only an inch of dark roots above fading caramel.
“Here,” the man says, fingering the last button on his crisp white
shirt. “Put this on.”
He’s already removed his suit jacket, which is now hanging from
the doorknob. He frees himself of his button-up shirt, revealing a
white undershirt beneath it. He’s muscular, taller than me. His shirt
will swallow me. I can’t wear this into my meeting, but I have no
other option. I take the shirt when he hands it to me. I grab a few
more dry paper towels and pat at my skin, then pull it on and begin
buttoning it. It looks ridiculous, but at least it wasn’t my skull that
exploded on someone else’s shirt. Silver lining.
I take my wet shirt out of the sink and accept there’s no saving
it. I toss it in the trash can, and then I grip the sink and stare at my
reflection. Two tired, empty eyes stare back at me. The horror of
what they’ve just witnessed has darkened the hazel to a murky
brown. I rub my cheeks with the heels of my hands to inspire color,
to no avail. I look like death.
I lean against the wall, turning away from the mirror. The man is
wadding up his tie. He shoves it in the pocket of his suit and
assesses me for a moment. “I can’t tell if you’re calm or in a state of
shock.”
I’m not in shock, but I don’t know that I’m calm, either. “I’m not
sure,” I admit. “Are you okay?”
“I’m fine,” he says. “I’ve seen worse, unfortunately.”
I tilt my head as I attempt to dissect the layers of his cryptic
reply. He breaks eye contact, and it only makes me stare even
harder, wondering what he’s seen that tops a man’s head being
crushed beneath a truck. Maybe he is a native New Yorker. Or
maybe he works in a hospital. He has an air of competence that
often accompanies people who are in charge of other people.
“Are you a doctor?”
He shakes his head. “I’m in real estate. Used to be, anyway.” He
steps forward and reaches for my shoulder, brushing something
away from my shirt. His shirt. When he drops his arm, he regards
my face for a moment before taking a step back.
His eyes match the tie he just shoved in his pocket. Chartreuse.
He’s handsome, but there’s something about him that makes me
think he wishes he weren’t. Almost as if his looks might be an
inconvenience to him. A part of him he doesn’t want anyone to
notice. He wants to be invisible in this city. Just like me.
Most people come to New York to be discovered. The rest of us
come here to hide.
“What’s your name?” he asks.
“Lowen.”
There’s a pause in him after I say my name, but it only lasts a
couple seconds.
“Jeremy,” he says. He moves to the sink and runs the water
again, and begins washing his hands. I continue to stare at him,
unable to mute my curiosity. What did he mean when he said he’s
seen worse than the accident we just witnessed? He said he used to
be in real estate, but even the worst day on the job as a Realtor
wouldn’t fill someone with the kind of gloom that’s filling this man.
“What happened to you?” I ask.
He looks at me in the mirror. “What do you mean?”
“You said you’ve seen worse. What have you seen?”
He turns off the water and dries his hands, then faces me. “You
actually want to know?”
I nod.
He tosses the paper towel into the trash can and then shoves his
hands in his pockets. His demeanor takes an even more sullen dive.
He’s looking me in the eye, but there’s a disconnect between him
and this moment. “I pulled my eight-year-old daughter’s body out of
a lake five months ago.”
I suck in a rush of air and bring my hand to the base of my
throat. It wasn’t gloom at all in his expression. It was despair. “I’m
so sorry,” I whisper. And I am. Sorry about his daughter. Sorry for
being curious.
“What about you?” he asks. He leans against the counter like this
is a conversation he’s ready for. A conversation he’s been waiting for.
Someone to come along and make his tragedies seem less tragic.
It’s what you do when you’ve experienced the worst of the worst.
You seek out people like you…people worse off than you…and you
use them to make yourself feel better about the terrible things that
have happened to you.
I
swallow before I speak, because my tragedies are nothing
compared to his. I think of the most recent one, embarrassed to
speak it out loud because it seems so insignificant compared to his.
“My mother died last week.”
He doesn’t react to my tragedy like I reacted to his. He doesn’t
react at all, and I wonder if it’s because he was hoping mine was
worse. It isn’t. He wins.
“How did she die?”
“Cancer. I’ve been caring for her in my apartment for the past
year.” He’s the first person I’ve said that to out loud. I can feel my
pulse throbbing in my wrist, so I clasp my other hand around it.
“Today is the first time I’ve stepped outside in weeks.”
We stare at each other for a moment longer. I want to say
something else, but I’ve never been involved in such a heavy
conversation with a complete stranger before. I kind of want it to
end, because where does the conversation even go from here?
It doesn’t. It just stops.
He faces the mirror again and looks at himself, pushing a strand
of loose dark hair back in place. “I have a meeting I need to get to.
You sure you’ll be okay?” He’s looking at my reflection in the mirror
now.
“Yes. I’m alright.”
“Alright?” He turns, repeating the word like a question, as if
being alright isn’t as reassuring to him as if I’d said I would be okay.
“I’ll be alright,” I repeat. “Thank you for the help.”
I want him to smile, but it doesn’t fit the moment. I’m curious
what his smile would look like. Instead, he shrugs a little and says,
“Alright, then.” He moves to unlock the door. He holds it open for
me, but I don’t exit right away. Instead, I continue to watch him, not
quite ready to face the world outside. I appreciate his kindness and
want to say more, to thank him in some way, maybe over coffee or
by returning his shirt to him. I find myself drawn to his altruism—a
rarity these days. But it’s the flash of wedding ring on his left hand
that propels me forward, out of the bathroom and coffee shop, onto
the streets now buzzing with an even larger crowd.
An ambulance has arrived and is blocking traffic in both
directions. I walk back toward the scene, wondering if I should give
a statement. I wait near a cop who is jotting down other eyewitness
accounts. They aren’t any different from mine, but I give them my
statement and contact information. I’m not sure how much help my
statement is since I didn’t actually see him get hit. I was merely
close enough to hear it. Close enough to be painted like a Jackson
Pollock canvas.
I look behind me and watch as Jeremy exits the coffee shop with
a fresh coffee in his hand. He crosses the street, focused on
wherever it is he’s going. His mind is somewhere else now, far away
from me, probably on his wife and what he’ll say to her when he
goes home missing a shirt.
I pull my phone out of my purse and look at the time. I still have
fifteen minutes before my meeting with Corey and the editor from
Pantem Press. My hands are shaking even worse now that the
stranger is no longer here to distract me from my thoughts. Coffee
may help. Morphine would definitely help, but hospice removed it all
from my apartment last week when they came to retrieve their
equipment after my mother passed. It’s a shame I was too shaken
to remember to hide it. I could really use some right about now.
When Corey texted me last night to let me know about the
meeting today, it was the first time I’d heard from him in months. I
was sitting at my computer desk, staring down at an ant as it
crawled across my big toe.
The ant was alone, fluttering left and right, up and down,
searching for food or friends. He seemed confused by his solitude.
Or maybe he was excited for his newfound freedom. I couldn’t help
but wonder why he was alone. Ants usually travel with an army.
The fact that I was curious about the ant’s current situation was
a clear sign I needed to leave my apartment. I was worried that,
after being cooped up caring for my mother for so long, once I
stepped out into the hallway I would be just as confused as that ant.
Left, right, inside, outside, where are my friends, where is the food?
The ant crawled off my toe and onto the hardwood floor. He
disappeared beneath the wall when Corey’s text came through.
I was hoping when I drew a line in the sand months ago, he’d
understand: since we no longer have sex, the most appropriate
method of contact between a literary agent and his author is email.
His text read: Meet me tomorrow morning at nine at the Pantem
Press building, floor 14. I think we might have an offer.
He didn’t even ask about my mom in the text. I wasn’t surprised.
His lack of interest in anything other than his job and himself is the
reason we’re no longer together. His lack of concern made me feel
unjustly irritated. He doesn’t owe me anything, but he could have at
least acted like he cared.
I didn’t text him back at all last night. Instead, I set down my
phone and stared at the crack at the base of my wall—the one the
ant had disappeared into. I wondered if he would find other ants in
the wall, or if he was a loner. Maybe he was like me and had an
aversion to other ants.
It’s hard to say why I have such a deeply crippling aversion to
other humans, but if I had to wager a bet, I’d say it’s a direct result
of my own mother being terrified of me.
Terrified may be a strong word. But she certainly didn’t trust me
as a child. She kept me fairly secluded from people outside of school
because she was afraid of what I might be capable of during my
many sleepwalking episodes. That paranoia bled into my adulthood,
and by then, I was set in my ways. A loner. Very few friends and not
much of a social life. Which is why this is the first morning I’ve left
my apartment since weeks before she passed away.
I
figured my first trip outside of my apartment would be
somewhere I missed, like Central Park or a bookstore.
I certainly didn’t think I’d find myself here, standing in line in the
lobby of a publishing house, desperately praying whatever this offer
is will catch me up on my rent and I won’t be evicted. But here I
am, one meeting away from either being homeless or receiving a job
offer that will give me the means to look for a new apartment.
I look down and smooth out the white shirt Jeremy lent me in
the bathroom across the street. I’m hoping I don’t look too
ridiculous. Maybe there’s a chance I can pull it off, as if wearing
men’s shirts twice my size is some cool new fashion statement.
“Nice shirt,” someone behind me says.
I turn at the sound of Jeremy’s voice, shocked to see him.
Is he following me?
It’s my turn in line, so I hand the security guard my driver’s
license and then look at Jeremy, taking in the new shirt he’s
wearing. “Do you keep spare shirts in your back pocket?” It hasn’t
been that long since he gave me the one off his back.
“My hotel is a block away. Walked back to change.”
His hotel. That’s promising. If he’s staying in a hotel, maybe he
doesn’t work here. And if he doesn’t work here, maybe he isn’t in
the publishing industry. I’m not sure why I don’t want him to be in
the publishing industry. I just have no idea who my meeting is with,
and I’m hoping it has nothing to do with him after the morning
we’ve already had. “Does that mean you don’t work in this building?”
He pulls out his identification and hands it to the security guard.
“No, I don’t work here. I have a meeting on the fourteenth floor.”
Of course he does.
“So do I,” I say.
A fleeting smile appears on his mouth and disappears just as
quickly, as if he remembered what happened across the street and
realized it’s still too soon to not be affected. “What are the chances
we’re heading to the same meeting?” He takes his identification back
from the guard who points us in the direction of the elevators.
“I wouldn’t know,” I say. “I haven’t been told exactly why I’m
here yet.” We walk onto the elevator, and he presses the button for
the fourteenth floor. He faces me as he pulls his tie out of his pocket
and begins to put it on.
I can’t stop staring at his wedding ring.
“Are you a writer?” he asks.
I nod. “Are you?”
“No. My wife is.” He pulls at his tie until it’s secured in place.
“Have you written anything I would know?”
“I doubt it. No one reads my books.”
His lips turn up. “There aren’t many Lowens in the world. I’m
sure I can figure out which books you’ve written.”
Why? Does he actually want to read them? He looks down at his
phone and begins to type.
“I never said I write under my real name.”
He doesn’t look up from his phone until the elevator doors open.
He moves toward them, turning in the doorway to face me. He holds
up his phone and smiles. “You don’t write under a pen name. You
write under Lowen Ashleigh, which, funny enough, is the name of
the author I’m meeting at nine thirty.”
I finally get that smile, and as gorgeous as it is, I don’t want it
anymore.
He just Googled me. And even though my meeting is at nine, not
nine thirty, he seems to know more about it than I do. If we really
are headed to the same meeting, it makes our chance meeting on
the street seem somewhat suspicious. But I guess the odds of us
both being in the same place at the same time aren’t all that
inconceivable, considering we were headed in the same direction to
the same meeting, and therefore, witnessed the same accident.
Jeremy steps aside, and I exit the elevator. I open my mouth,
preparing to speak, but he takes a few steps, walking backward.
“See you in a few.”
I don’t know him at all, nor do I know how he relates to the
meeting I’m about to have, but even without being privy to any
details of what’s happening this morning, I can’t help but like the
guy. The man literally gave me the shirt off his back, so I doubt he
has a vindictive nature.
I smile before he rounds the corner. “Alright. See you in a few.”
He returns the smile. “Alright.”
I watch him until he makes a left and disappears. As soon as I’m
out of his line of sight, I’m able to relax a little. This morning has
just been…a lot. Between the accident I witnessed and being in
enclosed spaces with that confusing man, I’m feeling so strange. I
press my palm against the wall and lean into it. What the hell—
“You’re on time,” Corey says. His voice startles me. I spin around,
and he’s walking up to me from the opposite hallway. He leans in
and kisses me on the cheek. I stiffen.
“You’re never on time.”
“I would have been here sooner, but…” I shut up. I don’t explain
what prevented me from being early. He seems disinterested as he
heads in the same direction as Jeremy.
“The actual meeting isn’t until nine thirty, but I figured you’d be
late, so I told you nine.”
I pause, staring at the back of his head. What the hell, Corey? If
he’d told me nine thirty rather than nine, I wouldn’t have witnessed
the accident across the street. I wouldn’t have been subjected to a
stranger’s blood.
“You coming?” Corey asks, pausing to look back at me.
I bury my irritation. I’m used to doing that when it comes to him.
We make it to an empty conference room. Corey closes the door
behind us, and I take a seat at the conference table. He sits next to
me at the head of the table, positioning himself so that he’s staring
at me. I try not to frown as I take in the sight of him after our
months-long hiatus, but he hasn’t changed. Still very clean,
groomed, wearing a tie, glasses, a smile. Always such a stark
contrast to myself.
“You look terrible.” I say it because he doesn’t look terrible. He
never does, and he knows it.
“You look refreshed and ravishing.” He says it because I never
look refreshed and ravishing. I always look tired, and maybe even
perpetually bored. I’ve heard of Resting Bitch Face, but I relate more
to Resting Bored Face.
“How’s your mother?”
“She died last week.”
He wasn’t expecting that. He leans back in his chair and tilts his
head. “Why didn’t you tell me?”
Why haven’t you bothered asking until now? I shrug. “I’m still
processing.”
My mother had been living with me for the past nine months—
since she was diagnosed with stage four colon cancer. She passed
away last Wednesday after three months on hospice. It was difficult
to leave the apartment in those last few months because she relied
on me for everything—from drinking, to eating, to turning her over
in her bed. When she took a turn for the worse, I wasn’t able to
leave her alone at all, which is why I didn’t step foot outside of my
apartment for weeks. Luckily, a Wi-Fi connection and a credit card
make it easy to live life completely indoors in Manhattan. Anything
and everything a person could possibly need can be delivered.
Funny how one of the most populated cities in the world can
double as a paradise for agoraphobics.
“You okay?” Corey asks.
I mask my disquiet with a smile, even if his concern is only a
formality. “I’m fine. It helps that it was expected.” I’m only saying
what I think he wants to hear. I’m not sure how he’d react to the
truth—that I’m relieved she’s gone. My mother only ever brought
guilt into my life. Nothing less, nothing more. Just consistent guilt.
Corey heads for the counter lined with breakfast pastries, bottles
of water, and a coffee carafe. “You hungry? Thirsty?”
“Water’s fine.”
He grabs two waters and hands one to me, then returns to his
seat. “Do you need help with the will? I’m sure Edward can help.”
Edward is the lawyer at Corey’s literary agency. It’s a small
agency, so a lot of the writers use Edward’s expertise in other areas.
Sadly, I won’t be needing it. Corey tried to tell me when I signed the
lease on my two-bedroom last year that I wouldn’t be able to afford
it. But my mother insisted she die with dignity—in her own room.
Not in a nursing home. Not in a hospital. Not in a hospital bed in the
middle of my efficiency apartment. She wanted her own bedroom
with her own things.
She promised what was left in her bank account after her death
would help me catch up on all the time off I had to take from my
writing career. For the past year, I’ve lived off what little advance I
had left over from my last publishing contract. But it’s all gone now,
and apparently, so is my mother’s money. It was one of the last
things she confessed to me before she finally succumbed to the
cancer. I would have cared for her regardless of her financial
situation. She was my mother. But the fact that she felt she needed
to lie to me in order for me to agree to take her in proves how
disconnected we were from one another.
I take a sip of my water and then shake my head. “I don’t really
need a lawyer. All she left me was debt, but thanks for the offer.”
Corey purses his lips. He knows my financial situation because,
as my literary agent, he’s the one who sends my royalty checks.
Which is why he’s looking at me with pity now. “You have a foreign
royalty check coming soon,” he says, as if I’m not aware of every
penny coming in my direction for the next six months. As if I haven’t
already spent it.
“I know. I’ll be fine.” I don’t want to talk about my financial
issues with Corey. With anyone.
Corey shrugs a little, unconvinced. He looks down and
straightens up his tie. “Hopefully this offer will be good for both of
us,” he says.
I’m relieved the subject is changing. “Why are we meeting in
person with a publisher? You know I prefer to do things over email.”
“They requested the meeting yesterday. Said they have a job
they’d like to discuss with you, but they wouldn’t give me any details
over the phone.”
“I thought you were working on getting another contract with my
last publisher.”
“Your books do okay, but not well enough to secure another
contract without sacrificing some of your time. You have to agree to
engage in social media, go on tour, build a fan base. Your sales
alone aren’t cutting it in the current market.”
I was afraid of this. A contract renewal with my current publisher
was all the financial hope I had left. The royalty checks from my
previous books have dwindled along with my book sales. I’ve done
very little writing this past year because of my commitment to my
mother, so I have nothing to sell to a publisher.
“I have no idea what Pantem will offer, or if it’s even something
you’ll be interested in,” Corey says. “We have to sign a non
disclosure agreement before they’ll give us more details. The secrecy
has me curious, though. I’m trying not to get my hopes up, but
there are a lot of possibilities and I have a good feeling. We need
this.”
He says we because whatever the offer is, he gets fifteen percent
if I accept. It’s the agent-client standard. What isn’t the agent-client
standard would be the six months we spent in a relationship and the
two years of sex that followed our breakup.
Our sexual relationship only lasted as long as it did because he
wasn’t serious about anyone else and neither was I. It was
convenient until it wasn’t. But the reason our actual relationship was
so short-lived is because he was in love with another woman.
Never mind that the other woman in our relationship was also
me.
It has to be confusing, falling in love with a writer’s words before
you meet the actual writer. Some people find it difficult to separate a
character from the individual who created them. Corey, surprisingly,
is one of those people, despite being a literary agent. He met and
fell in love with the female protagonist of my first novel, Open
Ended, before he ever spoke to me. He assumed my character’s
personality was a close reflection of my own, when in fact, I couldn’t
be more opposite from her.
Corey was the only agent to respond to my query, and even that
response took months to receive. His email was only a few
sentences long, but enough to breathe life back into my dying hope.
I read your manuscript, Open Ended, in a matter of hours. I
believe in this book. If you’re still looking for an agent, give
me a call.
His email came on a Thursday morning. We were having an in
depth phone conversation about my manuscript two hours later. By
Friday afternoon, we had met for coffee and signed a contract.
By Saturday night, we had fucked three times.
I’m sure our relationship broke a code of ethics somewhere, but
I’m not sure that contributed to how short-lived it was. As soon as
Corey figured out that I wasn’t the person my character was based
on, he realized we weren’t compatible. I wasn’t heroic. I wasn’t
simple. I was difficult. An emotionally challenging puzzle he wasn’t
up for solving.
Which was fine. I wasn’t in the mood to be solved.
As difficult as it was being in a relationship with him, it is
surprisingly easy being his client. It’s why I chose not to switch
agencies after our breakup, because he’s been loyal and unbiased
when it comes to my career.
“You look a little frazzled,” Corey says, breaking me out of my
thoughts. “Are you nervous?”
I nod, hoping he’ll accept my behavior as nerves because I don’t
want to explain why I’m frazzled. It’s been two hours since I left my
apartment this morning, but it feels like more has happened in that
two hours than in the entire rest of this year. I look down at my
hands…my arms…searching for traces of blood. It’s no longer there,
but I can still feel it. Smell it.
My hands haven’t stopped shaking, so I keep hiding them under
the table. Now that I’m here, I realize I probably shouldn’t have
come. I can’t pass up a potential contract, though. It’s not like offers
are pouring in, and if I don’t secure something soon, I’ll have to get
a day job. If I get a day job, it’ll barely leave me time to write. But
at least I’ll be able to pay my bills.
Corey pulls a handkerchief out of his pocket and wipes sweat
from his forehead. He only sweats when he’s nervous. The fact that
he’s nervous is now making me even more nervous. “Do we need a
secret signal if you aren’t interested in whatever the offer is?” he
asks.
“Let’s listen to what they have to say, and then we can request to
speak in private.”
Corey clicks his pen and straightens in his chair as though he’s
cocking a gun for battle. “Let me do the talking.”
I planned to anyway. He’s charismatic and charming. I’d be hard
pressed to find someone who could categorize me as either of those
things. It’s best if I just sit back and listen.
“What are you wearing?” Corey is staring down at my shirt,
perplexed, just now noticing it despite having spent the last fifteen
minutes with me.
I look down at my oversized shirt. For a moment, I forgot how
ridiculous I look. “I spilled coffee on my other shirt this morning and
had to change.”
“Whose shirt is that?”
I shrug. “Probably yours. It was in my closet.”
“You left your house in that? There wasn’t something else you
could have worn?”
“It doesn’t look high fashion?” I’m being sarcastic, but he doesn’t
catch it.
He makes a face. “No. Is it supposed to?”
Such an ass. But he’s good in bed, like most assholes.
I’m actually relieved when the conference room door opens and
a woman walks in. She’s followed, almost comically, by an older man
walking so closely behind her, he bumps into the back of her when
she stops.
“Goddammit, Barron,” I hear her mumble.
I almost smile at the idea of Goddammit Barron actually being his
name.
Jeremy enters last. He gives me a small nod that goes unnoticed
by everyone else.
The woman is dressed more appropriately than I am on my best
day, with short black hair and lipstick so red, it’s a little jarring at
nine thirty in the morning. She seems to be the one in charge as she
reaches for Corey’s hand, and then mine, while Goddammit Barron
looks on. “Amanda Thomas,” she says. “I’m an editor with Pantem
Press. This is Barron Stephens, our lawyer, and Jeremy Crawford,
our client.”
Jeremy and I shake hands, and he does a good job of pretending
we didn’t share an extremely bizarre morning. He quietly takes the
seat across from me. I try not to look at him, but it’s the only place
my eyes seem to want to travel. I have no idea why I’m more
curious about him than I am about this meeting.
Amanda pulls folders out of her briefcase and slides them in front
of Corey and me.
“Thank you for meeting with us,” she says. “We don’t want to
waste your time, so I’ll cut right to the chase. One of our authors is
unable to fulfill a contract due to medical reasons, and we’re in
search of a writer with experience in the same genre who may be
interested in completing the three remaining books in her series.”
I glance at Jeremy, but his stoic expression doesn’t hint at his
role in this meeting.
“Who is the author?” Corey asks.
“We’re happy to go over the details and terms with you, but we
do ask that you sign the non-disclosure agreement. We would like to
keep our author’s current situation out of the media.”
“Of course,” Corey says.
I acquiesce, but I say nothing as we both look over the forms
and then sign them. Corey slides them back to Amanda.
“Her name is Verity Crawford,” she says. “I’m sure you’re familiar
with her work.”
Corey stiffens as soon as they mention Verity’s name. Of course
we’re familiar with her work. Everyone is. I hazard a glance in
Jeremy’s direction. Is Verity his wife? They share a last name. He
said downstairs that his wife is a writer. But why would he be in a
meeting about her? A meeting she isn’t even here for?
“We’re familiar with the name,” Corey says, holding his cards
close.
“Verity has a very successful series we would hate to see go
unfinished,” Amanda continues. “Our goal is to bring in a writer who
is willing to step in, finish the series, complete the book tours, press
releases, and whatever else is normally required of Verity. We plan
to put out a press release introducing the new co-writer while also
preserving as much of Verity’s privacy as possible.”
Book tours? Press releases?
Corey is looking at me now. He knows I’m not okay with that
aspect. A lot of authors excel in reader interaction, but I’m so
awkward I’m afraid once my readers meet me in person, they’ll
swear off my books forever. I’ve only done one signing, and I didn’t
sleep for the week leading up to it. I was so scared during the
signing that it was hard for me to speak. The next day, I received an
email from a reader who said I was a stuck-up bitch to her and she’d
never read my books again.
And that’s why I stay at home and write. I think the idea of me is
better than the reality of me.
Corey says nothing as he opens the folder Amanda hands him.
“What is Mrs. Crawford’s compensation for three novels?”
will
Goddammit Barron answers this question. “The terms of Verity’s
contract
remain the same with her publisher and,
understandably, won’t be disclosed. All royalties will go to Verity. But
my client, Jeremy Crawford, is willing to offer a flat payment of
seventy-five thousand per book.”
My stomach leaps at the mention of that kind of payout. But as
quickly as the excitement lifts my spirits, they sink again when I
accept the enormity of it all. Going from being a nobody writer to co
author of a literary sensation is too much of a jump for me. I can
already feel my anxiety sinking in just thinking about it.
Corey leans forward, folding his arms over the table in front of
him. “I’m assuming the pay is negotiable.”
I try to catch Corey’s attention. I want to let him know that
negotiations aren’t necessary. There’s no way I’m accepting an offer
to finish a series of books that I’d feel too nervous to write.
Goddammit Barron straightens up in his chair. “With all due
respect, Verity Crawford has spent over a decade building her brand.
A brand that wouldn’t exist otherwise. The offer is for three books.
Seventy-five thousand per book, which comes to a total of two
hundred and twenty-five thousand dollars.”
Corey drops a pen on the table, leaning back in his chair,
appearing to be unimpressed. “What’s the time frame for
submission?”
“We’re already behind, so we’re looking to have the first book
submitted six months from the contract signing date.”
I can’t stop staring at the red lipstick smeared across her teeth
as she speaks.
“The timeline for the other two is up for discussion. Ideally, we
would like to see the contract completed within the next twenty-four
months.”
I can sense Corey doing the math in his head. It makes me
wonder if he’s calculating to see what his cut would be or what my
cut would be. Corey would get fifteen percent. That’s almost thirty
four thousand dollars, simply for representing me in this meeting as
my agent. Half would go to taxes. That’s just under one hundred
thousand that would end up in my bank account. Fifty grand per
year.
It’s more than double the advance I’ve received for my past
novels, but it’s not enough to convince me to attach myself to such a
successful series. The conversation moves back and forth pointlessly,
since I already know I’ll be declining. When Amanda pulls out the
official contract, I clear my throat and speak up.
“I appreciate the offer,” I say. I look directly at Jeremy so he’ll
know I’m being sincere. “Really, I do. But if your plan is to bring in
someone to become the new face of the series, I’m sure there are
other authors who would be a much better fit.”
Jeremy says nothing, but he is looking at me with a lot more
curiosity than he was before I spoke up. I stand up, ready to leave.
I’m disappointed in the outcome, but even more disappointed that
my first day outside of my apartment has been a complete disaster
in so many ways. I’m ready to go home and take a shower.
“I’d like a moment with my client,” Corey says, standing quickly.
Amanda nods, closing her briefcase as they both stand. “We’ll
step out,” she says. “The terms are detailed in your folders. We have
two other writers in mind if this doesn’t seem like it would be a good
fit for you, so try to let us know something by tomorrow afternoon
at the latest.”
Jeremy is the only one still seated at this point. He hasn’t said a
single word this entire time. Amanda leans forward to shake my
hand. “If you have any questions, please reach out. I’m happy to
help.”
“Thank you,” I say. Amanda and Goddammit Barron walk out, but
Jeremy continues to stare at me. Corey looks back and forth
between us, waiting for Jeremy to exit. Instead, Jeremy leans
forward, focusing on me.
“Could we possibly have a word in private?” Jeremy asks me. He
looks at Corey, but not for permission—it’s more of a dismissal.
Corey stares back at Jeremy, caught off guard by his brazen
request. I can tell by the way Corey slowly turns his head and
narrows his eyes that he wants me to decline. He’s all but saying,
“Can you believe this guy?”
What he doesn’t realize is that I’m craving to be alone in this
room with Jeremy. I want them all out of this room, especially Corey,
because I suddenly have so many more questions for Jeremy. About
his wife, about why they reached out to me, about why she’s no
longer able to finish her own series.
“It’s fine,” I say to Corey.
The vein in his forehead protrudes as he attempts to hide his
irritation. His jaw hardens, but he yields and eventually exits the
conference room.
It’s just Jeremy and me.
Again.
Counting the elevator, this is the third time we’ve been alone in a
room together since we crossed paths this morning. But this is the
first time I’ve felt this much nervous energy. I’m sure it’s all mine.
Jeremy somehow looks as calm as he did while he was helping me
clean pieces of a pedestrian off of myself less than an hour ago.
Jeremy leans back in his chair, dragging his hands down his face.
“Jesus,” he mutters. “Are meetings with publishers always this stiff?”
I laugh quietly. “I wouldn’t know. I usually do these things over
email.”
“I can see why.” He stands and grabs a bottle of water. Maybe it’s
because I’m sitting now and he’s so tall, but I don’t remember
feeling this small in his presence earlier. Knowing he’s married to
Verity Crawford makes me feel intimidated by him even more than
when I was standing in front of him in my skirt and bra.
He remains standing as he leans against the counter, crossing his
legs at the ankles. “You okay? You didn’t really have much time to
adjust to what happened across the street before walking into this.”
“Neither did you.”
“I’m alright.” There’s that word again. “I’m sure you have
questions.”
“A ton,” I admit.
“What do you want to know?”
“Why can’t your wife finish the series?”
“She was in a car accident,” he says. His response is mechanical,
as if he’s forcing himself to detach from any emotion right now.
“I’m sorry. I hadn’t heard.” I shift in my seat, not knowing what
else to say.
“I wasn’t on board with the idea of someone else finishing out
her contract at first. I had hope she would fully recover. But—” He
pauses. “Here we are.”
His demeanor makes sense to me now. He seemed a little
reserved and quiet, but now I realize all the quiet parts of him are
just grief. Palpable grief. I’m not sure if it’s because of what
happened to his wife, or what he told me in the bathroom earlier—
that his daughter passed away several months ago. But this man is
obviously out of his element here as he’s challenged with making
decisions heavier than anything most people ever have to face. “I’m
so sorry.”
He nods, but he offers nothing further. He returns to his seat,
which makes me wonder if he thinks I’m still contemplating the offer.
I don’t want to waste his time any more than I already have.
“I appreciate the offer, Jeremy, but honestly, it’s not something
I’m comfortable with. I’m not good with publicity. I’m not even sure
why your wife’s publisher reached out to me as an option in the first
place.”
“Open Ended,” Jeremy says.
I stiffen when he mentions one of the books I’ve written.
“It was one of Verity’s favorite books.”
“Your wife read one of my books?”
“She said you were going to be the next big thing. I’m the one
who gave her editor your name because Verity thinks your writing
styles are similar. If anyone is going to take over Verity’s series, I
want it to be someone whose work she respects.”
I shake my head. “Wow. I’m flattered, but…I can’t.”
Jeremy watches me silently, probably wondering why I’m not
reacting as most writers would to this opportunity. He can’t figure
me out. Normally, I would be proud of that. I don’t like being easily
read, but it feels wrong in this situation. I feel like I should be more
transparent, simply because he showed me courtesy this morning. I
wouldn’t even know where to start, though.
Jeremy leans forward, his eyes swimming with curiosity. He
stares at me a moment, then taps his fist on the table as he stands.
I assume the meeting is over and start to stand as well, but Jeremy
doesn’t walk toward the door. He walks toward a wall lined with
framed awards, so I sink back into my chair. He stares at the
awards, his back to me. It isn’t until he runs his fingers over one of
them that I realize it’s one of his wife’s. He sighs and then faces me
again.
“Have you ever heard of people referred to as Chronics?” he
asks.
I shake my head.
“I think Verity might have made up the term. After our daughters
died, she said we were Chronics. Prone to chronic tragedy. One
terrible thing after another.”
I stare at him a moment, allowing his words to percolate. He said
he’d lost a daughter earlier, but he’s using the term in plural form.
“Daughters?”
He inhales a breath. Releases it with defeat. “Yeah. Twins. We
lost Chastin six months before Harper passed. It’s been…” He isn’t
detaching himself from his emotions as well as he was earlier. He
runs a hand down his face and then returns to his chair. “Some
families are lucky enough to never experience a single tragedy. But
then there are those families that seem to have tragedies waiting on
the back burner. What can go wrong, goes wrong. And then gets
worse.”
I don’t know why he’s telling me this, but I don’t question it. I
like hearing him speak, even if the words coming out of his mouth
are dismal.
He’s twirling his water bottle in a circle on the table, staring down
at it in thought. I’m getting the impression he didn’t request to be
alone with me to change my mind. He just wanted to be alone.
Maybe he couldn’t stand another second of discussing his wife in
that manner, and he wanted them all to leave. I find that comforting
—that being alone with me in the room still feels like being alone to
him.
Or maybe he always feels alone. Like our old next-door neighbor
who, from what it sounds like, was definitely a Chronic.
“I grew up in Richmond,” I say. “Our next-door neighbor lost all
three members of his family in less than two years. His son died in
combat. His wife died six months later of cancer. Then his daughter
died in a car wreck.”
Jeremy stops moving the water bottle and slides it a few inches
away from him. “Where’s the man now?”
I stiffen. I wasn’t expecting that question.
The truth is, the man couldn’t take losing everyone that meant
anything to him. He killed himself a few months after his dau